Rachel Bilson
ich wusste nicht wo ich das intervieuw hinsetzen sollte
da samaire über rachel redet
passt es am ehesten hier hin
Samaire Armstrong: Hi Chris, I feel really silly speaking with the #1 gaming site, because I don't play videogames. I feel like a fool.
IGN FilmForce: Do you feel like a cad?
Armstrong: Like a hack!
IGN: Do you know what my first question was gonna be?
Armstrong: Do I play videogames?
IGN: Yeah.
Armstrong: I play Tetris very well.
IGN: Really? What's your ultimate score?
Armstrong: I don't know, but it's always been the highest. And in high school, we always used to play, like put bets on who could beat me, but nobody could.
IGN: You and I need to have a Tetris-off.
Armstrong: Really! Oh my God!
IGN: I did 300 lines on the bus once.
Armstrong: Oh my gosh. Are you kidding? Okay… maybe you might beat me. Oh my gosh, you might. What happens when you accidentally make one mistake and you run out of tiles… do you go to the next line, or do you try to fit… how do you do it?
IGN: If I make a mistake?
Armstrong: Yeah. One thing comes down the wrong place, do you go back to fix that one, or do you start from the top of that one?
IGN: It depends on the situation. Sometimes, I like to sneak it under the one that's overhanging.
Armstrong: That's the good one. Move it at the last moment and turn it over.
IGN: Yeah, I can tell you're a Tetris lover.
Armstrong: Videogames, I don't have the patience to sit down. I don't think anyone's made a videogame yet that is me as the target audience.
IGN: I think they actually have, but they're all in Japan.
Armstrong: Oh, okay… there you go. I buy that, because I was born in Japan and I like their style out there.
IGN: I was reading that this morning that you were born in Tokyo. How long did you live there?
Armstrong: I was there for about five years, total five years…well, my childhood, off and on… I went to Preschool, Kindergarten, third and fourth grade out there, then there was one more year, maybe it was a year when I didn't go to school, when I was born. My parents lived out there and they visit a lot.
IGN: When is the last time you were there?
Armstrong: The last time I was there I was fifteen, so it was quite awhile ago.
IGN: I go there once a year.
Armstrong: Oh, you're lucky! That's so cool.
IGN: Where did you hang out?
Armstrong: I think we were in Shinjuku in Tokyo, but we lived in Kyoto and Abuya, and I was born in Tokyo.
IGN: Power to that.
Armstrong: Do you speak Japanese?
IGN: No, I don't. The only thing I know how to say is "cheeseburger set."
Armstrong: Cheeseburger. [laughs] Ohio!
IGN: I know when people are being polite to me, but I still haven't picked up on when people are being impolite.
Armstrong: Impolite? They don't really do that out there. Only if they're drinking. It's true. There's like drinking hour where you can just tell off your boss and in the morning, you're not fired.
IGN: I think we have that here.
Armstrong: You can tell off your boss?
IGN: Well, I don't know about tell him off. We had a Christmas party once where one of the employees picked a fight with the CEO.
Armstrong: Oh my goodness!
IGN: How does it work when it's on the movie set? Do you feel like you have one ultimate boss; for you, is the director more the boss, or the producer?
Armstrong: I think you should give the most respect and undivided attention to the director because he's manning the show. It's hard to play the game of making a movie without one boss in charge. But you have to have your ears open to everyone you're working with. Producers a lot of the time are the bosses as well. They want you to get the show on the road or finish it up. But, for acting purposes, you have to pay attention to the director's direction; he has the vision of what's going on.
A lot of projects I begin, I have no idea what he has in mind, what's going on. No matter how many times you sit down and he tries to illustrate it or explain it to you, I don't really get what's going on, so the second week we're like, "Okay, I see your vision now." You can explain it, but you don't really get it until you see some of the dailies and you're like, "That's what we're doing here."
IGN: Have you ever done something you felt was going to turn out really badly or really good and then it came back and it was completely the opposite?
Armstrong: Well, yeah. A lot of times, especially with scripts. You don't know… I never have high expectations, I just go in and do the work. Most often, I found, whether you have them or not, are exceeded and if you don't have expectations—and this is what they tell you about everything, if you don't expect things—you're really surprised at what naturally comes out of it. I think that's probably the creation of anything.
IGN: This isn't your first horror movie. I actually watched the DVD of…
Armstrong: Oh my goodness!
IGN: …Of a movie called DarkWolf where you star alongside Kane Hodder, who is Jason. What was it like working with Jason?
Armstrong: Oh yeah, yeah! He was really intimidating. I had a boyfriend at the time and I introduced him and he just looked down at him like he could step on him. Oh my gosh. He was very cool. He had been burned in his first stunt, because he was a stunt man. He had been burnt in a fire in that stunt, and when we did the film, his costume of the Dark Wolf got caught on fire that was separate—it was held in a room that was separate than anything else—and that room caught on fire. How strange was that? There's weird powers that be out there. That's why you have to be careful what you put your energy into.
IGN: What do you think is scarier: DarkWolf or Stay Alive?
Armstrong: Stay Alive is a lot scarier. Stay Alive is scary; let's put it that way, and DarkWolf was a fun, entertaining… that's what it was.
IGN: Did you watch DarkWolf with your parents?
Armstrong: No. My dad and my brother watched it and they're like, "Really interesting scene on top of the building where the girls are dancing. That's really kind of cool." No, I didn't watch it with them. I haven't watched that film with anyone but my… I put it on the other day for my friends. They were really into it. You know, it was… well, what I heard anyways… I don't have any sources to cite, but I heard it was like the DVD seller of the year.
IGN: It's interesting, because I think the horror genre, unlike anything else has this wide following and then I'm a pretty big B-movie horror movie myself, so I'll watch one of those movies with completely different expectations than I watch something in the theater. You just go to Blockbuster and see something that has a snake on it, and you're like, "Hell yeah, I'll pick that up."
Armstrong: Totally into that. Yes, exactly. That's kinda like when we were making it, it was like, we knew what we were making. I mean, you go in and there's that sort of energy and we were shooting at this set. I think it was called Lacey Studios. It probably should have been torn down, and you going in there and you're like, "This is sort of spooky… I wonder what that is," and you're walking through the halls and [seeing] mysterious shadows and you kind of like place weird energies into this really innocent building.
But Stay Alive was scary because we were filming in New Orleans, and New Orleans is an interesting place in terms of energies go and culture goes. It's a different world out there. Have you ever been out there?
IGN: No, I haven't.
Armstrong: I went on the voodoo tour, and basically it explains how New Orleans got to be… when the pioneers and stuff first traveled there, [in] their cemeteries, whenever they'd dig [a grave] six feet, they'd walk five feet away and five feet of the six feet that they dug was filled with water, so everytime they'd bury somebody, it would just rise to the top. So they went to the highest peak of New Orleans and started building the cemeteries there.
Well, when spring came after all the water from the mountain snow rose the river level, so then it flooded all the cemeteries that they had at the tallest peak down into New Orleans. So down comes this river of dead bodies. So, at any given moment, there's a casket that is rising to the top, or somebody's grandfather's bones rising up. Basically, that's what happens… You get flooded.
That being said, there are a lot of unsettled lives, I guess, and that's what this movie is about. It's about the woman who didn't really want to put an end to her life. In real life, this countess has lived in Transylvania and historically she was the #1 female serial killer, murderer. So she had opened up this finishing school because she was obsessed with staying young and… she lived on the edge of the forest and she'd get these children and kill them and bathe in their blood.
She opens this finishing school where she'd invite all these young girls to come to school and she'd end their lives and torture them, drain their blood and bathe in it from them dripping down above her. Recreating that in a scary place was a scary thing.
IGN: Have you seen some of the latest horror movies, Hostel and so forth?
Armstrong: I heard about the movie Saw, which was… Have you seen that movie?
IGN: Yeah, I've seen both of them.
Armstrong: I haven't seen it, but I heard about it and that's enough for me. And I saw… House of Wax. I'm not a really big scary movie person, because I really get personally involved in things that I watch, and I don't really like the feeling of being scared. It's like a roller coaster ride where you're just falling all the time. So, I try to stay away from those films.
IGN: Do you think it's possible for a horror movie to go too far?
Armstrong: To go too far? What would too far be?
IGN: Too much violence, too much gore…
Armstrong: I think that's what movies are about, kind of pushing the limits beyond pushing the limit. I kind of like tricking people. That would be fun. If I knew, if I was like in on the act, like, "We're gonna really scare people," that's kinda fun. I like that. But there's something about energies and investing a belief, even extending a belief. Movies [that are] like not really reality, but you kind of believe it is, then really believe it is, and then act it out, and then act it out in a strange place… and [say] "Okay, we're going to make this videogame and in the videogame we're going to do this séance, and then this séance brings up a creature who actually was alive at some point, really did kill people…" That's kind of like… that's not so fun.
IGN: I know you don't play a lot of videogames, but being that this movie is about a videogame that kind of goes bad… do you feel that as graphics get better and everything starts to look a lot more realistic, do you feel that videogame makers have a bigger responsibility to morality?
Armstrong: No. You know what? I don't buy into any of that. I don't think that anyone creating anything has a responsibility to anyone buying anything. You have to be a real big moron to not know that that's fake. And if you're likely or susceptible to being emotionally scarred by something or influenced by something, then you better know not to watch it or to turn it on or not. You know, if you're drunk, don't drive. But don't not sell a car because you could possibly be drunk while driving it. I think that if a videogame is like a war game and there's a lot of shooting in it, that doesn't mean that some kid is going to be naïve enough… I just don't buy it! I really don't. It's a cop out. It's not right. It's not fair to everyone else who can play the game and not shoot up people. You know?
IGN: I heard some rumors that you might come back to The O.C.
Armstrong: I am going to be going back to The O.C.!
IGN: Are you psyched?
Armstrong: I am psyched. I am, I really am. I liked that character a lot. I like Anna. She's very confident and witty and fun and vivacious.
IGN: And she's a snappy dresser, too.
Armstrong: Exactly. She's got style. She's funky. I like playing in scenes with Seth because he's like the male version of Anna and he makes me smile. I am excited to start that again.
IGN: You better not smile too much or Rachel's gonna kick your butt.
Armstrong: I don't know if she can. [Laughs]
IGN: Wow!
Armstrong: I'm serious. Come on. I really don't think Rachel Bilson could kick my ass. She's too sweet.
IGN: That's probably true, huh?
Armstrong: Yes! I don't know why she'd want to. She's a good girl.
IGN: Can you talk any about what you're going to do on the show?
Armstrong: I definitely get involved with Rachel's character and Adam's character again, and I think kind of like as it left off, they were getting together, so it'll be kind of "where's Anna's place?" again and how does she fit in and where's Seth's character and fitting into that mold again
IGN: Did you follow the show when weren't on it, when you left?
Armstrong: No I didn't. It was sad. I wasn't supposed to do more than one episode and then I got to do a full season and when I left, it was really sad. Leaving a group of that you've worked with for a long time, it's hard to keep tabs and watch, "what are they doing without me?" Being friends, whenever we see each other it's always really friendly but it's like, they've got their lives and their stories go on and I'm not really watching to see, "Are they still talking about Anna?"… though my family did. But I always knew that there'd be a place for her to come back, so I'm excited about that.
IGN: So, what else do you have coming out?
Armstrong: So then I have, this year I have Stay Alive and then a film called Just My Luck which is with Lindsay Lohan. I play her best friend and she has the luckiest streak in the world. She's born on the luckiest day and her luck changes when her path crosses with the unluckiest boy in the world. She has to get her luck back, which is not unlike another movie that I did this year, called It's a Boy/Girl Thing, where my character's life changes where her and her neighbor, who is a boy, switch bodies accidentally. For the film I have to play a boy who wants to be back in his body more than anything and the girl wants to be back in hers.
I have a film called Rise with Lucy Liu which is a vampire film. I do like vampire films. I like zombie films, too.
IGN: What's your favorite one?
Armstrong: Well. Dawn of the Dead? That was a good one.
IGN: Did you like the remake?
Armstrong: I did. I like Shaun of the Dead, too. That was really funny.
IGN: And gross, too.
Armstrong: Yeah, totally gross. And just like really sweet at the end.
IGN: So do you actually get to play a vampire in that movie?
Armstrong: No. Well, I don't know. They kind of talked about changing. I don't know if they finished it or not. It's kind of up in the air, but as of now, I don't play a vampire.
IGN: Yeah, you should get them to rewrite that, because how cool would that be?
Armstrong: I know, I know. So cool!
IGN: Maybe what you could do is be the world's first zombie female protagonist… Something like that. Make your own movie based on that.
Armstrong: Ooooh! That's interesting.
IGN: Like the female zombie protagonist.
Armstrong: That's cool. I like that. We should get started on that one!
IGN: Let's start on it next week. She's Dead and Loving It.
Armstrong: Oh, that's a good one! It's like Shaun of the Dead, but She's Dead and Loving It. I like that.
IGN: Sounds like you're doing lots of good stuff.
Armstrong: Yeah, fun stuff, fun stuff. I would be interested in doing some hit-em-up things, kind of like what you're saying. I don't know, I like to play tough. With fighting. I like fighting and I like sports and I like guns, that kind of adventure film.
IGN: You should tie up Milla and just go to all of her auditions.
Armstrong: I know! She's got that market cornered.
IGN: I think it's about time you replace her.
Armstrong: Okay, it's my turn.
IGN: Yep, it's your turn. Stand outside Ultraviolet and hand out pamphlets.
Armstrong: Yeah, that's a good idea. I'll have pictures with my face on it and I'll hold a sword.
IGN: Exactly. New action star. Well, thanks a lot for talking with us!
Armstrong: Thank you. Tell everyone on your site thanks a lot for their support
da samaire über rachel redet
passt es am ehesten hier hin
Samaire Armstrong: Hi Chris, I feel really silly speaking with the #1 gaming site, because I don't play videogames. I feel like a fool.
IGN FilmForce: Do you feel like a cad?
Armstrong: Like a hack!
IGN: Do you know what my first question was gonna be?
Armstrong: Do I play videogames?
IGN: Yeah.
Armstrong: I play Tetris very well.
IGN: Really? What's your ultimate score?
Armstrong: I don't know, but it's always been the highest. And in high school, we always used to play, like put bets on who could beat me, but nobody could.
IGN: You and I need to have a Tetris-off.
Armstrong: Really! Oh my God!
IGN: I did 300 lines on the bus once.
Armstrong: Oh my gosh. Are you kidding? Okay… maybe you might beat me. Oh my gosh, you might. What happens when you accidentally make one mistake and you run out of tiles… do you go to the next line, or do you try to fit… how do you do it?
IGN: If I make a mistake?
Armstrong: Yeah. One thing comes down the wrong place, do you go back to fix that one, or do you start from the top of that one?
IGN: It depends on the situation. Sometimes, I like to sneak it under the one that's overhanging.
Armstrong: That's the good one. Move it at the last moment and turn it over.
IGN: Yeah, I can tell you're a Tetris lover.
Armstrong: Videogames, I don't have the patience to sit down. I don't think anyone's made a videogame yet that is me as the target audience.
IGN: I think they actually have, but they're all in Japan.
Armstrong: Oh, okay… there you go. I buy that, because I was born in Japan and I like their style out there.
IGN: I was reading that this morning that you were born in Tokyo. How long did you live there?
Armstrong: I was there for about five years, total five years…well, my childhood, off and on… I went to Preschool, Kindergarten, third and fourth grade out there, then there was one more year, maybe it was a year when I didn't go to school, when I was born. My parents lived out there and they visit a lot.
IGN: When is the last time you were there?
Armstrong: The last time I was there I was fifteen, so it was quite awhile ago.
IGN: I go there once a year.
Armstrong: Oh, you're lucky! That's so cool.
IGN: Where did you hang out?
Armstrong: I think we were in Shinjuku in Tokyo, but we lived in Kyoto and Abuya, and I was born in Tokyo.
IGN: Power to that.
Armstrong: Do you speak Japanese?
IGN: No, I don't. The only thing I know how to say is "cheeseburger set."
Armstrong: Cheeseburger. [laughs] Ohio!
IGN: I know when people are being polite to me, but I still haven't picked up on when people are being impolite.
Armstrong: Impolite? They don't really do that out there. Only if they're drinking. It's true. There's like drinking hour where you can just tell off your boss and in the morning, you're not fired.
IGN: I think we have that here.
Armstrong: You can tell off your boss?
IGN: Well, I don't know about tell him off. We had a Christmas party once where one of the employees picked a fight with the CEO.
Armstrong: Oh my goodness!
IGN: How does it work when it's on the movie set? Do you feel like you have one ultimate boss; for you, is the director more the boss, or the producer?
Armstrong: I think you should give the most respect and undivided attention to the director because he's manning the show. It's hard to play the game of making a movie without one boss in charge. But you have to have your ears open to everyone you're working with. Producers a lot of the time are the bosses as well. They want you to get the show on the road or finish it up. But, for acting purposes, you have to pay attention to the director's direction; he has the vision of what's going on.
A lot of projects I begin, I have no idea what he has in mind, what's going on. No matter how many times you sit down and he tries to illustrate it or explain it to you, I don't really get what's going on, so the second week we're like, "Okay, I see your vision now." You can explain it, but you don't really get it until you see some of the dailies and you're like, "That's what we're doing here."
IGN: Have you ever done something you felt was going to turn out really badly or really good and then it came back and it was completely the opposite?
Armstrong: Well, yeah. A lot of times, especially with scripts. You don't know… I never have high expectations, I just go in and do the work. Most often, I found, whether you have them or not, are exceeded and if you don't have expectations—and this is what they tell you about everything, if you don't expect things—you're really surprised at what naturally comes out of it. I think that's probably the creation of anything.
IGN: This isn't your first horror movie. I actually watched the DVD of…
Armstrong: Oh my goodness!
IGN: …Of a movie called DarkWolf where you star alongside Kane Hodder, who is Jason. What was it like working with Jason?
Armstrong: Oh yeah, yeah! He was really intimidating. I had a boyfriend at the time and I introduced him and he just looked down at him like he could step on him. Oh my gosh. He was very cool. He had been burned in his first stunt, because he was a stunt man. He had been burnt in a fire in that stunt, and when we did the film, his costume of the Dark Wolf got caught on fire that was separate—it was held in a room that was separate than anything else—and that room caught on fire. How strange was that? There's weird powers that be out there. That's why you have to be careful what you put your energy into.
IGN: What do you think is scarier: DarkWolf or Stay Alive?
Armstrong: Stay Alive is a lot scarier. Stay Alive is scary; let's put it that way, and DarkWolf was a fun, entertaining… that's what it was.
IGN: Did you watch DarkWolf with your parents?
Armstrong: No. My dad and my brother watched it and they're like, "Really interesting scene on top of the building where the girls are dancing. That's really kind of cool." No, I didn't watch it with them. I haven't watched that film with anyone but my… I put it on the other day for my friends. They were really into it. You know, it was… well, what I heard anyways… I don't have any sources to cite, but I heard it was like the DVD seller of the year.
IGN: It's interesting, because I think the horror genre, unlike anything else has this wide following and then I'm a pretty big B-movie horror movie myself, so I'll watch one of those movies with completely different expectations than I watch something in the theater. You just go to Blockbuster and see something that has a snake on it, and you're like, "Hell yeah, I'll pick that up."
Armstrong: Totally into that. Yes, exactly. That's kinda like when we were making it, it was like, we knew what we were making. I mean, you go in and there's that sort of energy and we were shooting at this set. I think it was called Lacey Studios. It probably should have been torn down, and you going in there and you're like, "This is sort of spooky… I wonder what that is," and you're walking through the halls and [seeing] mysterious shadows and you kind of like place weird energies into this really innocent building.
But Stay Alive was scary because we were filming in New Orleans, and New Orleans is an interesting place in terms of energies go and culture goes. It's a different world out there. Have you ever been out there?
IGN: No, I haven't.
Armstrong: I went on the voodoo tour, and basically it explains how New Orleans got to be… when the pioneers and stuff first traveled there, [in] their cemeteries, whenever they'd dig [a grave] six feet, they'd walk five feet away and five feet of the six feet that they dug was filled with water, so everytime they'd bury somebody, it would just rise to the top. So they went to the highest peak of New Orleans and started building the cemeteries there.
Well, when spring came after all the water from the mountain snow rose the river level, so then it flooded all the cemeteries that they had at the tallest peak down into New Orleans. So down comes this river of dead bodies. So, at any given moment, there's a casket that is rising to the top, or somebody's grandfather's bones rising up. Basically, that's what happens… You get flooded.
That being said, there are a lot of unsettled lives, I guess, and that's what this movie is about. It's about the woman who didn't really want to put an end to her life. In real life, this countess has lived in Transylvania and historically she was the #1 female serial killer, murderer. So she had opened up this finishing school because she was obsessed with staying young and… she lived on the edge of the forest and she'd get these children and kill them and bathe in their blood.
She opens this finishing school where she'd invite all these young girls to come to school and she'd end their lives and torture them, drain their blood and bathe in it from them dripping down above her. Recreating that in a scary place was a scary thing.
IGN: Have you seen some of the latest horror movies, Hostel and so forth?
Armstrong: I heard about the movie Saw, which was… Have you seen that movie?
IGN: Yeah, I've seen both of them.
Armstrong: I haven't seen it, but I heard about it and that's enough for me. And I saw… House of Wax. I'm not a really big scary movie person, because I really get personally involved in things that I watch, and I don't really like the feeling of being scared. It's like a roller coaster ride where you're just falling all the time. So, I try to stay away from those films.
IGN: Do you think it's possible for a horror movie to go too far?
Armstrong: To go too far? What would too far be?
IGN: Too much violence, too much gore…
Armstrong: I think that's what movies are about, kind of pushing the limits beyond pushing the limit. I kind of like tricking people. That would be fun. If I knew, if I was like in on the act, like, "We're gonna really scare people," that's kinda fun. I like that. But there's something about energies and investing a belief, even extending a belief. Movies [that are] like not really reality, but you kind of believe it is, then really believe it is, and then act it out, and then act it out in a strange place… and [say] "Okay, we're going to make this videogame and in the videogame we're going to do this séance, and then this séance brings up a creature who actually was alive at some point, really did kill people…" That's kind of like… that's not so fun.
IGN: I know you don't play a lot of videogames, but being that this movie is about a videogame that kind of goes bad… do you feel that as graphics get better and everything starts to look a lot more realistic, do you feel that videogame makers have a bigger responsibility to morality?
Armstrong: No. You know what? I don't buy into any of that. I don't think that anyone creating anything has a responsibility to anyone buying anything. You have to be a real big moron to not know that that's fake. And if you're likely or susceptible to being emotionally scarred by something or influenced by something, then you better know not to watch it or to turn it on or not. You know, if you're drunk, don't drive. But don't not sell a car because you could possibly be drunk while driving it. I think that if a videogame is like a war game and there's a lot of shooting in it, that doesn't mean that some kid is going to be naïve enough… I just don't buy it! I really don't. It's a cop out. It's not right. It's not fair to everyone else who can play the game and not shoot up people. You know?
IGN: I heard some rumors that you might come back to The O.C.
Armstrong: I am going to be going back to The O.C.!
IGN: Are you psyched?
Armstrong: I am psyched. I am, I really am. I liked that character a lot. I like Anna. She's very confident and witty and fun and vivacious.
IGN: And she's a snappy dresser, too.
Armstrong: Exactly. She's got style. She's funky. I like playing in scenes with Seth because he's like the male version of Anna and he makes me smile. I am excited to start that again.
IGN: You better not smile too much or Rachel's gonna kick your butt.
Armstrong: I don't know if she can. [Laughs]
IGN: Wow!
Armstrong: I'm serious. Come on. I really don't think Rachel Bilson could kick my ass. She's too sweet.
IGN: That's probably true, huh?
Armstrong: Yes! I don't know why she'd want to. She's a good girl.
IGN: Can you talk any about what you're going to do on the show?
Armstrong: I definitely get involved with Rachel's character and Adam's character again, and I think kind of like as it left off, they were getting together, so it'll be kind of "where's Anna's place?" again and how does she fit in and where's Seth's character and fitting into that mold again
IGN: Did you follow the show when weren't on it, when you left?
Armstrong: No I didn't. It was sad. I wasn't supposed to do more than one episode and then I got to do a full season and when I left, it was really sad. Leaving a group of that you've worked with for a long time, it's hard to keep tabs and watch, "what are they doing without me?" Being friends, whenever we see each other it's always really friendly but it's like, they've got their lives and their stories go on and I'm not really watching to see, "Are they still talking about Anna?"… though my family did. But I always knew that there'd be a place for her to come back, so I'm excited about that.
IGN: So, what else do you have coming out?
Armstrong: So then I have, this year I have Stay Alive and then a film called Just My Luck which is with Lindsay Lohan. I play her best friend and she has the luckiest streak in the world. She's born on the luckiest day and her luck changes when her path crosses with the unluckiest boy in the world. She has to get her luck back, which is not unlike another movie that I did this year, called It's a Boy/Girl Thing, where my character's life changes where her and her neighbor, who is a boy, switch bodies accidentally. For the film I have to play a boy who wants to be back in his body more than anything and the girl wants to be back in hers.
I have a film called Rise with Lucy Liu which is a vampire film. I do like vampire films. I like zombie films, too.
IGN: What's your favorite one?
Armstrong: Well. Dawn of the Dead? That was a good one.
IGN: Did you like the remake?
Armstrong: I did. I like Shaun of the Dead, too. That was really funny.
IGN: And gross, too.
Armstrong: Yeah, totally gross. And just like really sweet at the end.
IGN: So do you actually get to play a vampire in that movie?
Armstrong: No. Well, I don't know. They kind of talked about changing. I don't know if they finished it or not. It's kind of up in the air, but as of now, I don't play a vampire.
IGN: Yeah, you should get them to rewrite that, because how cool would that be?
Armstrong: I know, I know. So cool!
IGN: Maybe what you could do is be the world's first zombie female protagonist… Something like that. Make your own movie based on that.
Armstrong: Ooooh! That's interesting.
IGN: Like the female zombie protagonist.
Armstrong: That's cool. I like that. We should get started on that one!
IGN: Let's start on it next week. She's Dead and Loving It.
Armstrong: Oh, that's a good one! It's like Shaun of the Dead, but She's Dead and Loving It. I like that.
IGN: Sounds like you're doing lots of good stuff.
Armstrong: Yeah, fun stuff, fun stuff. I would be interested in doing some hit-em-up things, kind of like what you're saying. I don't know, I like to play tough. With fighting. I like fighting and I like sports and I like guns, that kind of adventure film.
IGN: You should tie up Milla and just go to all of her auditions.
Armstrong: I know! She's got that market cornered.
IGN: I think it's about time you replace her.
Armstrong: Okay, it's my turn.
IGN: Yep, it's your turn. Stand outside Ultraviolet and hand out pamphlets.
Armstrong: Yeah, that's a good idea. I'll have pictures with my face on it and I'll hold a sword.
IGN: Exactly. New action star. Well, thanks a lot for talking with us!
Armstrong: Thank you. Tell everyone on your site thanks a lot for their support
hier ist ein kleiner teil auf deutsch
IGN.com sprach exklusiv mit Samaire Armstrong über ihre Filmpläne, ihren neuen Film 'Stay Alive' und über das was noch viel wichtiger ist, über ihre Rückkehr als Anna Stern in der 3. Staffel von O.C., California. Wir haben für euch Auszüge aus dem Interview in denen Samaire ganz klar bestätigt, das sie definitiv zurückkehren wird.
IGN: "Ich hab Gerüchte gehört, das du vermutlich als Anna Stern in 'The OC' zurückkehrst."
Samaire: "Ja, ich werde zurückkehren."
IGN: "Bist du aufgeregt?"
Samaire: "Ja total. Das bin ich wirklich. Ich liebe diesen Charakter, ich liebe Anna. Sie ist sehr selbstbewusst, witzig, lustig und lebhaft."
IGN: "Und sie hat einen eigenen Stil."
Samaire: "Genau, sie hat Style. Ich liebe es Szenen mit Seth zu spielen, weil er die männliche Version von Anna ist und er bringt mich zum lächeln. Ich freue mich total, das wieder zu erleben."
IGN: "Du lächelst lieber nicht zuviel, sonst tritt dir Rachel in den Hintern."
Samaire: "Ich weiß nicht ob sie das kann." [lacht]
IGN: "Wow."
Samaire: "Ich mein das wirklich ernst. Komm schon. Ich glaub wirklich nicht das Rachel Bilson mir in den Hintern treten würde, dafür ist sie viel zu nett."
IGN: "Das ist dann vermutlich wahr, oder?"
Samaire: "Ja! Ich wüsste auch nicht warum sie das tun sollte. Sie ist ein gutes Mädchen..."
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Das komplette Interview findet ihr unter unserer angegebenen Quelle.
IGN.com sprach exklusiv mit Samaire Armstrong über ihre Filmpläne, ihren neuen Film 'Stay Alive' und über das was noch viel wichtiger ist, über ihre Rückkehr als Anna Stern in der 3. Staffel von O.C., California. Wir haben für euch Auszüge aus dem Interview in denen Samaire ganz klar bestätigt, das sie definitiv zurückkehren wird.
IGN: "Ich hab Gerüchte gehört, das du vermutlich als Anna Stern in 'The OC' zurückkehrst."
Samaire: "Ja, ich werde zurückkehren."
IGN: "Bist du aufgeregt?"
Samaire: "Ja total. Das bin ich wirklich. Ich liebe diesen Charakter, ich liebe Anna. Sie ist sehr selbstbewusst, witzig, lustig und lebhaft."
IGN: "Und sie hat einen eigenen Stil."
Samaire: "Genau, sie hat Style. Ich liebe es Szenen mit Seth zu spielen, weil er die männliche Version von Anna ist und er bringt mich zum lächeln. Ich freue mich total, das wieder zu erleben."
IGN: "Du lächelst lieber nicht zuviel, sonst tritt dir Rachel in den Hintern."
Samaire: "Ich weiß nicht ob sie das kann." [lacht]
IGN: "Wow."
Samaire: "Ich mein das wirklich ernst. Komm schon. Ich glaub wirklich nicht das Rachel Bilson mir in den Hintern treten würde, dafür ist sie viel zu nett."
IGN: "Das ist dann vermutlich wahr, oder?"
Samaire: "Ja! Ich wüsste auch nicht warum sie das tun sollte. Sie ist ein gutes Mädchen..."
-
Das komplette Interview findet ihr unter unserer angegebenen Quelle.
Lecker, lecker! Rachel isst Eis und shoppt!



Ach private Bild sind einfach super!
Rachel shoppt bei "Madison" in West Hollywood!

Rachel in West Hollywood 26.2.06!
Was macht sie denn da?

Sie kann sich nur schwer ein Lachen verkneifen!

On the set of the O.C at the Fontainebleau Hilton Hotel in South Beach, Florida

Beim Lebensmittel einkaufen!



Doppelpost von Petra zusammengefügt




Ach private Bild sind einfach super!

Rachel shoppt bei "Madison" in West Hollywood!

Rachel in West Hollywood 26.2.06!
Was macht sie denn da?

Sie kann sich nur schwer ein Lachen verkneifen!

On the set of the O.C at the Fontainebleau Hilton Hotel in South Beach, Florida

Beim Lebensmittel einkaufen!



Doppelpost von Petra zusammengefügt
Ich bin jetzt mal auf die Suche gegangen, konnte aber nicht feststellen, dass sie dort mitgespielt hat. Wann und wo soll das denn gewesen sein? Neben die Wilden 70er hat sie nur noch bei 8 Simple Rules eine kleine Rolle gehabt.caro91 hat geschrieben:auch bei buffy hat sie mitgespielt ist aber nich mein fall

Liebe ist...
- Philipp
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Musste gerade auch erst mal suchen.Petra hat geschrieben:Ich bin jetzt mal auf die Suche gegangen, konnte aber nicht feststellen, dass sie dort mitgespielt hat. Wann und wo soll das denn gewesen sein? Neben die Wilden 70er hat sie nur noch bei 8 Simple Rules eine kleine Rolle gehabt.caro91 hat geschrieben:auch bei buffy hat sie mitgespielt ist aber nich mein fall
Rachel hat in der Episode #7.18 Caleb (Dirty Girls) mitgespielt, kann mich aber nicht mehr wirklich an sie in der Episode erinnern.
Philipp hat geschrieben:Rachel hat in der Episode #7.18 Caleb (Dirty Girls) mitgespielt, kann mich aber nicht mehr wirklich an sie in der Episode erinnern.
Danke Philipp

Dann werde ich mir die Folge nachher vielleicht mal ansehen. Mal gucken was für eine Rolle sie dort hat. Kann mich daran überhaupt nicht mehr erinnern.


Liebe ist...