Season 3

[Reiko-Fan]

Du kannst die Bilder auch groß machen durch drauf klicken
Und es sieht eher so aus, als wenn er ihre Augen untersucht

Ich denke mal, dass das damit gemeint ist. Yup. Immerhin geht es ja um ein ungeborenes Baby. Aber wie ich die Writer kenne, kann man das im Nachhinein eh wieder auch auf House übertragen

[~FairyFlossLish~]

Du kannst die Bilder auch groß machen durch drauf klicken
Und es sieht eher so aus, als wenn er ihre Augen untersucht

Ah ja, sry, war irgendwie grad ent verplant... *muss mal wieder in yoga gehen*...Hätt mich auch gewundert wenn er ihr ne lila Blume vors Auge hält..aber bei House weiss man ja nie

[chocolate22]

Informationen aus den Sides zu Episode 21:

Ep. #21, yet untitled. Very few spoilers right now and they're at the very beginning and seemingly very end of the ep. Not much help.



A rather sad, depressing ep about a 14 yo patient, Nick, who needs a bone marrow transplant which is supposed to be provided by his 8yo brother, Matty. We see Matty's mom try to prepare Matty to see Nick after his last round of treatment. They're putting on their sterile clothing, and you get the idea that Matty's been through this drill before and thinks he knows what to expect. He is taken aback, however, when he sees his brother. But his brother tries to assure him everything will be okay again and they'll play in the back yard when this is all over. (Nick and Matty's dad is sitting with Nick, so this is a 4-person family). Matty snuck a baseball into his brother's sterile area as a "good luck" gesture before the bone marrow procedure. Everyone panics for a moment but Wilson diplomatically steps in and tells the boy to put the baseball in a sterile bag so that his brother can hold it. Just as Wilson is telling him how lucky he is that he's healthy--so that he can be a bone marrow donor to his brother, Matty sneezes and wipes his nose.

Later, it appears that the parents have to make a decision about saving one son or the other. The parents break the news to Nick that he's not going to make it.

During Nick's total body radiation he vomits. Foreman leaves the room, seeming unable to take it. Cameron and Chase are tending to Nick with an IV, in for the long haul. Later, we see Foreman in the doorway of the chapel, leaving.
OLucy @ TWoP - Forum

[Reiko-Fan]

3x15 "Half-wit"

Da diese Folge nicht ganz so ist, wie sonst, werd ich das jetzt einfach in der Reihenfolge der Geschehnisse machen.

Der geistig-zurückgebliebene, aber musikalisch-hochbegabte Patrick leidet an Krämpfen im Gehirn und hat während eines Piano-Konzertes plötzlich starke Kopfschmerzen.
House holt die ducklings 5Uhr morgens ins Büro. Cameron ist zuerst da, und wenn ich das sagen darf, sie sieht toll aus mit nassen Haaren.
Sehr lustig ist hier sein Zettel "Good Morning. Read now. XO. Yo Yo Mama"
Dann kommen Foreman, Chase, ebenfalls mit nassen Haaren und schließlich House, der gleich fragt: "You two shower together?" und Cam und Chase dann gleichzeitg "No". *lol*

House will Tests an Patrick durchführen.
Dann ist er in der Klinik wo er seine Patientin dazu "zwingt" im bei ner Blutentnahme zu helfen. Er gibt dann das Röhrchen bei der Schwester an, was Foreman schon komisch findet, als er dazukommt.

House bringt dann ein Klavier zu Patrick, nachdem die neurologischen Tests nix ergeben haben. Und das ist so genial. Hugh und das Klavier sind mein neues OTP Und Dave ist auch soooo toll.
Er spielt Patrick was vor und er spielt es einfach so nach. Wunderschön.
House will dann ein "functional MRI" und dabei finden sie dann heraus, dass es wahrscheinlich sein Herz ist, dass Probleme macht.

Cameron unterhält sich dann, mal wieder, mit Foreman und fragt ihn ob er weiß, warum House nach Boston fliegt. Sie hat herausgefunden, indem sie seine Post geöffnet hat(go Cam ) dass er dort hin fliegt. Und Foreman erwähnt dann die Blutprobe, die House vorher abgegeben hat.

Als nächstes sieht man Cam und Chase in House's Wohnung. Chase hat Panik, dass House nachhause kommen könnte.
Cameron meinte dann noch "I'll take this room, bedroom is down the hall"
und Chase fragt sie dann nur, ob sie schon mal hier war
Und als er dann zum Schlafzimmer geht, meint er, sie könnten es doch dort mal "machen"
Am Lustigsten ist aber das hässliche Baseball-Cap von Chase
Cam findet dann das HighSchool-Yearbook und ein Foto

Und dann finden sie ne Telefonnummer, die Nummer gehört zum Bosten General Hospital. Cuddy ruft dann dort an, und unterstellt dem Arzt, ihr House stehlen zu wollen. Aber während des Anrufs wird klar, dass House in Behandlung dort ist, und nicht wegen einem Job.
Cuddy geht sofort zu Wilson, und der erzählt ihr, dass der Arzt den House aufgesucht hat, ein Gehirntumor-Spezialist ist.

Die nächste Szene ist mal wieder ... wow, Hugh Laurie spielt mit dem Stock Was kann der Mann nicht? Voice-over sind dann Cuddy und Wilson. Wilson meint, dass House ihm nix gesagt hat.

Differential-diagnosis im Büro. Sie versuchen heraus zu finden, was den Kopfschmerz mit dem Herzproblem verbindet.

Dann sieht man wie Cameron Wilson hinterher rennt. Sie fragt ihn, was los sei. Er weicht aus, aber sie will nicht locker lassen, weil sie ja ein Recht hat zu wissen ob House sich einen neuen Job sucht und sie das dann auch machen muss.
Wobei sie diese Szene aber gekürzt haben, denn er dreht sich nicht mal richtig zu ihr um.

House sitzt im Zimmer des Patienten und spielt Klavier, als Wilson rein kommt. Er fragt ihn, warum er ihm nicht erzählt hat, dass er Krebs hat.
House versucht es, herunterzuspielen und fragt wer es noch weiß, woraufhin Wilson meint niemand.
Dann kommt Chase rein, und erzählt House, dass Patrick erneut nen Krampf hatte. House fängt dann an, sehr komisch zu gucken, und nach ner Sekunde dreht er sich zu Wilson und meint
"You told him" ... den Chase hat tatsächlich feuchte Augen und den totalen Hundeblick. Und Wilson meint dann, erhätte es nur Cameron erzählt.

Nächste Szene. House geht zurück ins Büro, wo Cam und Foreman schon sind. Er sagt, es geht sie rein gar nix an doch die ducklings wollen ein paar Bluttests machen. Aber House meint immer wieder "No".
Er zwingt sie sich auf Patrick zu konzentrieren. Er will die Medikamente absetzen, die die Krämpfe unterdrücken.

Dann sieht man, wie House mit Brille ... :anbet:in seinem Büro sieht und an irgendetwas rumbastelt.

Cameron kommt rein und gibt ihm einen Zettel. Sie hat einen "letter of recommendation", da sie sich woanders bewerben will.
House unterschreibt ihn und meint dann sie soll sich von nem bestimmten Arzt fernhalten, da dieser ständig mit dem Patienten weint und ihnen Händchen hält beim sterben. Der wird sie nicht mögen.
Cameron ist verständlicherweise verwirrt und House erklärt ihr, dass sie neuerdings so locker mit dem Thema "Cancer" umgeht. Woraufhin Cameron erwidert "I thought you find it appealing".
Dann steht er auf.

House: You really wanna leave?
Cameron: If you're not here, there is not much point in staying.
House: I am not dead yet

Es folgen Blicke, Cameron kommt näher und House fragt was sie vorhatt.
Bevor sie dann die Hände auf seine Wangen legt, meint er noch "I know this must be a turn-on for you" ... doch dann wird er aufeinmal still und sie küsst ihn. Erst scheint er ein wenig verwirrt, aber dann macht er mit

Als er aber dann merkt, dass sie in ihre Tasche fasst, packt er ihr Handgelenk und sieht den Arm hinauf. Sie hat ne Nadel in der Hand.
"A little whorerish to kiss and stab" meint er dann nur aber sie guckt ihn nur lächelnd an und meint "You kissed back".
Er macht dann wieder einen Witz und nimmt ihr die Nadel weg. Und Cameron meint dann sie brauchen doch nur ein paar Tropfen.
House reicht es dann und er sagt ihr seine Aktennummer und den falschen Namen unter dem sie seine Unterlagen finden können.
Cameron dreht sich um und will gehen als House noch hinterschreit
"If you need a sperm sample, come back without the needle"
Wenn ich hier noch anmerken darf, die Art wie er sich danach an die Lippen fast verrät ja dann aber auch so einiges

Die Ducklings sehen sich seine Unterlagen an. Foreman meint, der Tumor wäre inoperabel und er hätte noch ein Jahr zu leben.
Sie machen dann ne Differential für House, um nach weiteren Möglichkeiten zu suchen. House will aber, dass sie sich um Patrick kümmern, aber sie wollen nicht locker lassen.
Foreman geht dann zu House und versucht mit ihm zu reden und schlägt auch etwas für Patrick vor, ein EEG unter seinem Schädel.
Er meint aber auch, dass er House mag, was House aber nicht glaubt.

Es stellt sich heraus, dass Patricks gesamte rechte Gehirnhälfte tot ist.
Sie bräuchten ihm also nur noch die richtigen Meds geben und schon ist er wieder okay. Allerdings hat House ne Idee, wie er wieder "normal" werden kann.

Inzwischen ist Chase dran, er geht zu House und meint
"I am sorry you are dying. I am going to hug you" *rotfl* Was er dann auch macht

Dann geht House nachts zu Cuddy, und schlägt ihr seine Idee vor, dass sie die recht Gehirnhälfte entfernen. Da es so ist, dass sich die linke im Moment noch um die Rechte "kümmert" und so selbst nicht richtig funktionieren kann. Takiyasu-Syndrom.
Cuddy meint dann, er soll den Vater um Erlaubnis fragen und meint auch, sie sei da für House wenn er sie brauch.
House meint dann, dass er sie brauch und sie umarmen sich, und er ... grabscht ihr erstmal an den Hintern. (Man bedenke, dass Cuddy nen dünnen Bademantel oder so was anhat)
"One small feel for a man, giant ass for mankind"
Sie lächelt die ganze Zeit und dreht sich dann um, um zurück ins Bett zu gehen. House wartet kurz und will ihr dann nach gehen.
Cuddy: "Call the Make-A-Wish-Foundation"
Und House lächelt verschmitzt und geht dann.
Ich muss sagen, auch wenn das die Huddy's wahrscheinlich anders sehen, diese Szene schreit doch gerade zu danach, dass die Beiden nie mehr waren/werden als Freunde.
So was hätte er nie bei Stacey gemacht, oder gar bei Cameron. Seine ganze Verhaltensweise ist einfach nur die, eines Freundes. Und die Tatsache, dass sie schon mal Sex hatten, trägt doch hierzu nur noch bei.

Der Vater von Patrick überlegt dann was er machen soll. Er fragt ihn ob er glücklich sei. Patrick aber, wiederholt diese Frage nur, womit der Vater aber seine Entscheidung getroffen hat. Nur wird dies bedeuten, dass er nicht mehr Piano spielen kann (weil man dafür zwei Gehirnhälften braucht).
Nach der OP sieht man, wie Patrick dann auf einmal sein Hemd ohne Hilfe zuknöpfen kann. House meint, er sieht glücklich aus.

Die Ducklings sind immer noch bei der Untersuchung von House's Blut. Dann finden sie auf einmal etwas, dass da nicht sein sollte (laut Chase)

Dann sieht man wie House nachts durch die Wohnung geht, zur Tür, nachdem es laut klopft. Die Ducklings stehen vor seiner Tür.
Alle Drei lächeln und Foreman erklärt, er hat kein Tumor sondern ne seltene Art von Neuro-Syphilis.
Worauf hin Cameron meint
"I know it is a really rare form and I am really glad we never slept together." und House dann
"We would have used a condom" ... So genial

Chase erklärt dann, dass er nur Antibiotika IV brauch und dann ist er wieder gesund. (das Grinsen von Cam ist pricless)

House fragt dann nur, ob sie diese Ergebnisse in das Bostoner Krankenhaus geschickt haben und Chase bejaht das.
House meint dann sie wären Idioten woraufhin Foreman den Satz des Tages ablässt:
"We just told you, you weren't dying. You should be making out with Cameron" (woraufhin Chase übrigens sehr komisch guckt )

House erklärt dann, dass es nicht seine Akte war, sondern ne Akte, die er von nem Patienten gestohlen hat um in den Klinischen Versuch zu kommen, der in Bosten stattfinden sollte.
Cameron: "You faked cancer?"
House schreit sie dann an, dass er nur wollte, dass ihm die Leute in Boston so ne neue Droge ins "Pleasure-centrum of the brain" einsetzen.
Cameron: "You faked cancer to get high?"
Und nun sieht man mit Recht die ensetzten Gesichter der Ducklings. Meins sah übrigens so aus, wie das von Cameron Wie tief kann man eigentlich sinken?

Nächste Szene House und Wilson in House's Büro.
Wilson macht dann wieder ne sehr gute Analyse von House Wow

Wilson: "It's ironic. Depression in cancer patients is not as common as you think. It's not the dying that gets to people it is the dying alone. The patients with family and friends they tend to do okay.
You don't have cancer. You do have people who give a damn, so here is what you do: *laughs* You fake the cancer then push the people who care away."
House: "Because they are boring. Go home to your hotel room and laugh at that irony."
Wilson: "Start small House. Take a chance. Pizza with a friend. Movie. Something."

Ich find es so toll, wie Wilson es immer wieder schafft, House zum Nachdenken zu bringen.
Die letzte Szene ist House, wie er durch die Strasse geht, und an nem Restaurant ankommt. Er sieht Cam, Chase und Foreman drinnen, die sich unterhalten und beobachtet sie ne Weile und denkt nach.
Dann greift er den Türknauf der Eingangstür ... und der Bildschirm wird schwarz.

ENDE

Ich muss sagen, diese Folge ist definitiv die beste der Staffel 3 bisher. Es hat mir wirklich jede Sekunde gefallen, sogar die Chameron/Huddy Szenen. Und sie gehört definitiv auch zu meinen Top 3.
Dave Matthews war gigantisch und die Piano-Szenen waren einfach nur genial.
Und auch das sie mit dem Titel im Nachhinein wieder sowohl den Patienten als auch House meinten, ist einfach mal wieder nur toll
Wie sie weiterhin mehr von Greg House zeigen und hinter seine Fassade blicken und mit der letzten Szene zeigen, dass er es diesmal vielleicht auch verstanden hat, warum er ein Problem hat.
House versucht so sehr, nicht glücklich zu sein, und ich denke, das ist es, was ihm am meisten Schmerzen verursacht.

A/N: Übrigens war die Folge auch sooo zugepackt, dass sie nicht mal das Theme richtig gezeigt haben

Aber wie schon gesagt ... 11 von 10 Punkten
(wow, das war lang )

[~FairyFlossLish~]

Langes Review, lange Antwort Dann werd ich deine Beitrag mal zerpflücken...

Cameron ist zuerst da, und wenn ich das sagen darf, sie sieht toll aus mit nassen Haaren. Ironie
Sehr lustig ist hier sein Zettel "Good Morning. Read now. XO. Yo Yo Mama" Big Smile
Dann kommen Foreman, Chase, ebenfalls mit nassen Haaren und schließlich House, der gleich fragt: "You two shower together?" und Cam und Chase dann gleichzeitg "No". *lol*

Wie geil, das mit dem Duschen... und Chase mit nassen Haaren
Der Zettel ist ja wohl auch so cool

House bringt dann ein Klavier zu Patrick, nachdem die neurologischen Tests nix ergeben haben. Und das ist so genial. Hugh und das Klavier sind mein neues OTP Laugh Und Dave ist auch soooo toll.
Er spielt Patrick was vor und er spielt es einfach so nach. Wunderschön.

Hab die Szene zwar nocht nich gesehen, sie klingt aber schon sehr schön

Cameron unterhält sich dann, mal wieder, mit Foreman und fragt ihn ob er weiß, warum House nach Boston fliegt. Sie hat herausgefunden, indem sie seine Post geöffnet hat(go Cam Big Smile) dass er dort hin fliegt.

Cam liest House' Post? Sie ist einfach so cool in s3...

Cameron meinte dann noch "I'll take this room, bedroom is down the hall"
und Chase fragt sie dann nur, ob sie schon mal hier war Laugh
Und als er dann zum Schlafzimmer geht, meint er, sie könnten es doch dort mal "machen" Rolleyes

Man Chase...denkt echt nur an das Eine
Und trägt auch noch hässliche Mützen
Aber das yearbook bild ist echt süß

Die nächste Szene ist mal wieder ... wow, Hugh Laurie spielt mit dem Stock Shock Was kann der Mann nicht? Laugh

Die sind alle so mulit-talented ... RSL kann super singen, HL kann eigentlich alles Und House mit der Brille..sieht echt seehr gut aus...

Und dann : *Le Kiss*
Perfekt.Ein anderes Wort gint's dafür gar nicht..Die lange Warterei hat sich definitv gelohnt...

Die Cuddy Sache klingt auch echt cool...

"One small feel for a man, giant ass for mankind" Laugh

Soo genial

Okay, muss jetzt aufhören, muss noch Latein lernen..ich schreib wann anders fertig;-)

[soar]

:<> :<> :<>
o mein Gott.. ich habs leider nicht schauen können aber was ich so nach dem Rückblick von Jen lesen konnte --- an dieser Stelle doch ein ganz mega grosses dickes D A N K E SCHÖN an Jen..du bist die Beste ---
war es wohl eine der besten Episoden ever ... kann es kaum erwarten bis sie hier ausgestrahlt wird...
Ich konnte es leider heute Morgen net gucken, musste früher aus dem Haus aber ich sah den *le kiss* und bin einfach ohne Worte
Und bin natürlich auch froh, dass House "kerngesund" ist (was mir natürlich Jen schon vorher verraten hat )
Und jo, die Preview für die nächsten 9 Episoden (¨! ging das schnell) war natürlich toll... kann es kaum erwarten die alle zu sehen ohne doofe, lästige & lange Unterbrüche
Mannoo.. ich sags euch.. ich bin very very happy...

[~FairyFlossLish~]

:<> :<> :<>
o mein Gott.. ich habs leider nicht schauen können aber was ich so nach dem Rückblick von Jen lesen konnte --- an dieser Stelle doch ein ganz mega grosses dickes D A N K E SCHÖN an Jen..du bist die Beste ---

Ja, was würden wir nur ohne Jen machen? Hab dich ganz feste lieb ...
Du bist unsere House-Mama

Und jo, die Preview für die nächsten 9 Episoden (¨! ging das schnell) war natürlich toll... kann es kaum erwarten die alle zu sehen ohne doofe, lästige & lange Unterbrüche
Mannoo.. ich sags euch.. ich bin very very happy...

Kommen die nächsten 9 Folgen ohne Unterbrechung?
Das wäre soo cool...bitte bitte bitte
Kommen die schon ab nächste Woche oder müssen wir wieder ewig warten?

[Mastodon]

House hat Hirnkrebs vorgetäuscht, um an Drogen zu kommen? Wenn ich da nichts falsch verstanden hab, dann hat er wirklich nen ernstes Drogenproblem

[Reiko-Fan]

Lisa gern geschehen
Jetzt kommen wieder drei Wochen Pause (was aber in ordnung ist, weil man jetzt schön über so Sachen nachdenken kann ) und ab dem 27.März geht es dann gerade weg bis zum Finale weiter

Matthias Ja, das hast du richtig verstanden Ich war auch ganz schön geschockt, weil ja in den Spoilern auch nicht klar war warum er es macht. Aber ich nehme mal an, die Sache mit den Blasenkathether wird auch noch ne Rolle spielen und das er zum Finale hin vielleicht endlich mal begreift, dass er ein Problem hat

[chocolate22]

Offizielle Beschreibung aus einer PM von FOX für 3.16 Top Secret:

House is bewildered yet intrigued when he meets his newest patien, John Kelley, an ex-Marine who had saved Houses life in a very realistic dream the night before. House is puzzled about how this man could have appeared in his dream before he met him. Recently returned from a two-year deployment in Iraq, Kelley is complaining of fatigue, pain and other non-specific ailments he thinks are the result of Gulf War Syndrome. Just like the V.A. doctors before them, the team is wary about the validity of Kelleys symptoms, but since his uncle is an important benefactor to the hospital, they continue to investigate his case. Meanwhile, House is suffering from ailments of his own he is unable to urinate, most likely a side effect of his Vicodin abuse, and is sleep-deprived. Unable to concentrated on the case, he eventually turns to Wilson for an under-the-table prescription. While administering tests in the sleep lab, Cameron and Chase forego their clinical duties when they find each other (and a bed in the sleep lab) much more exciting. A foul infection shows up in Kelleys mouth while Cameron and Chase were supposed to have been on the clock, and his condition only worsens as he begins to lose his hearing, sight and mobility. A brain scan reveals tumors in Kellys brain that were not there a week earlier when the government doctors at the V.A. examined him. When traces of uranium show up in Kelleys test results, the teams wonders if the government had something to hide in the Top Secret episode of HOUSE airing Tuesday, March 27 (9:00-10:00 PM ET/PT) on FOX. (HOU-316) (TV-14 D, L)

[Reiko-Fan]

Auf die Folge freu ich mich sehr. Zum Einen wegen House's "Krankheit" ... und ich denke, dass sie seine Drogensucht mit dem Finale dieser Staffel noch mal erwähnen werden.
Und zum Anderen, wegen der Szene om Schlaflabor, die man in der Promo sah. Kann ja nur heißen, dass jemand sie beobachtet.
Ich denke, das wir House sein und ich bin auch total gespannt auf seine Reaktion wenn er Chase und Cam erwischt.

Man ... was bin ich froh, wenn dieser Hiatus, der letzte, vorbei ist

Danke für den Teaser

Was mich an der Folge stört, ist das Marc Blucas den Patienten spielt ... ...

[vanille123]

Ja, was würden wir nur ohne Jen machen? Hab dich ganz feste lieb ...
Du bist unsere House-Mama

Sry..aber ich hab mich gerade halb totgelacht. Jen als meine Mami.. genau..und ich hätte House schon mit der Muttermilch eingesaugt.Aber..naja... wir wollen unsere Jen ja net älter machen, als sie ist.
Gell Jen?
Das wollte ich nur schnell mal loswerden,bevor ich mich zu jen's riesen mega super rewiew äußer.. :<> *I'm impressed* ´

Also..bis gleich, Mami

[soar]

Ich habe ein Interwiev von Katie Jacobs gefunden... finde ich sehr interessant...
Ich glaube, ist ist mehr der House / Cuddy Shipper aber egal

A VERY INTERESTING INTERVIEW WITH KATIE JACOBS
The next episode of House has two familiar names taking on unfamiliar assignments

"Half-Wit," airing Tuesday, March 6 on FOX, features musician Dave Matthews acting in his major first television role, as a man who suffered severe brain damage as a child that rewired his brain to make him a musical savant.

House executive producer Katie Jacobs, who oversees casting as well as music, editing, production, post-production, and collaborating on scripts, had seen a sample from the movie Because of Winn-Dixie in a previous season, when she was casting for the role of a little girl. She was amazed to realize that one of the actors in that sample scene was the singer.

When it came time to cast "Half-Wit," she remembered Matthews, who also contributed the song "Some Devil" to an episode in House's first season.

Despite the fact that Matthews is a guitarist and singer rather than a pianist like the character, "I felt like somehow having a musician in the role would serve me well," said Jacobs in a recent interview. "He was my very first choice after seeing him in Winn-Dixie."

Another of Jacobs' duties is to choose the directors for each episode's eight-day shoot. For "Half-Wit," she gave the opportunity to a directing newcomer: Katie Jacobs.

"It was excellent to be right in there with them fighting for it to be the best it can be."

Though it's her first professional directing credit, it turns out the NYU grad went to film school and signed to the powerful ICM agency as a director. She then became "horribly afraid" and decided to work with writers to develop ideas instead.

"It's not like it's been burning inside of me for years. I've enjoyed what I've been doing," Jacobs said before explaining why she chose to finally direct an episode on House. "I was really strongly encouraged by the actors in particular, because I've been with them since the beginning, I'm so close with them, I adore them. I always want to see them do their best work. So I finally said, OK, I'll give this a try."

Though she's already heavily involved in all aspects of the show, directing gave her a slightly different perspective on the action, bolstered by the fun of doing something different. "We were all kind of excited about my trying out this new role. So it was very cool."

Her enthusiasm about the atmosphere of the show isn't limited to the novelty of her first foray into directing, despite the challenges of churning out 24 hours of high-quality television each year.

"We have a great workplace in terms of the synergy between (creator and fellow executive producer) David Shore, Hugh (Laurie), the actors, the other writers, the producers and myself," she enthused. "We're all on the same team. We're all trying to climb this mountain together and make it better and better and better."

"Songs have become an important signature to every show, ours included."
Jacobs is also in control of the music for the show, both the score and song selection, and even that is a product of teamwork. "I get a lot of great suggestions from people around me and I sit on it, stew, worry and obsess, as I am right now — I have a mix later today — and then I decide at the last minute which song I'm going to use," she revealed.

She's particularly excited right now because they're preparing the first House soundtrack CD. It will contain songs from all three seasons, plus a couple of tracks covered by star Hugh Laurie's Band From TV, which also boasts Greg Grunberg of Heroes, James Denton of Desperate Housewives, Bonnie Somerville of Kitchen Confidential, and Bob Guiney of The Bachelor. When we talked, Jacobs wasn't sure if the rights had been secured yet for Elvis Costello's rendition of Christina Aguilera's "Beautiful," which he recorded specifically for the show, but she is hopeful it will be included — as will be fans who have hunted for the elusive track since "Autopsy" aired.
"The more you show about the characters that relate to him, the more you expand our world."

Her other bit of news was the just-finalized casting of Jane Adams as Wilson's second ex-wife in an upcoming episode. A Tony-award winner, as is Robert Sean Leonard, Adams is probably best known as Niles' second ex-wife on Frasier. Chances are she's going to be playing a needy character, in keeping with Wilson's history.
"He's been married three times and he tends to gravitate towards slightly wounded people, thinking he can make them feel better. So House certainly fits into the same category."

Jacobs, who admires the "brilliant chemistry" between Leonard and Laurie, hinted that Wilson might find someone other than House to gravitate toward soon, though. "Wilson is now three times divorced and alone and has plenty of time for House. What happens if he no longer has as much time because he's finding himself in a relationship?"

Cameron, who's still obviously harbouring feelings for her boss, has for now turned to the "very practical" friends-with-benefits arrangement with coworker Chase. "They slept together once last season and it didn't screw things up, so why not," Jacobs laughed. "So we're having a really good time playing with that. How long can that go on? Maybe it will be entirely successful, but somebody always starts to feel more of an attachment than the other person."
Though Jacobs doesn't hold out much hope of romantic success for House himself, she said "it would be hard not to" show him in future relationships. While she's cagey on the possibility of one being with a regular cast member, she loves the escalating tension between Cuddy and House in the second part of season three. "There's always been a tension there, and we have slightly more fun in dealing with that. "

"It's what he knows, to keep people at arm's length."
A hallmark of the character is his incredible talent for keeping people at a distance, romantically and otherwise. "He pushes those relationships that he does have pretty far," Jacobs said about "Half-Wit," which the FOX promotions promise will reveal something shocking about House.

Though a network promo that didn't use the word "shocking" would be shocking, the news release with the episode description reveals more than I wanted to know, and does seem fairly, well, startling. I put Jacobs in the thankless position of clarifying without spoiling further. What she had to say is far from surprising, and far from un-vague. "I think it's a turning point in the season, but not in the way you'd expect it. ... The ultimate reveal does change things slightly, but we'll never change him too much. His evolution will be gradual."
There is already evidence of that evolution, from the often downright depressed character in early season one episodes who had to be enticed to take every case, to the gleefully bitter House who often seeks out patients now. A large part of the tension of the series is the battle between House struggling to maintain his seemingly miserable status quo and those around him trying to force the evolution.

So is Wilson right, that House enjoys being miserable? Jacobs doesn't think that's the whole answer. "Being miserable is familiar and what he knows, so it's hard for him to get out of that hole and find his way out."
"But I think that is one of the many things that Hugh Laurie brings to the character. If you didn't see behind his eyes and behind his rough exterior into the wounded quality, you'd never love him and root for him and wish for him to find something other than the miserable existence that he lives."
His world view has been shaken in episodes like the season two finale "No Reason," which had House questioning his devotion to rationality over humanity, and the Tritter storyline, which further explored his relationship with drugs.
"I do think he's smart and he has learned. Whether he is capable of having all of that experience change his actions is quite another thing," Jacobs pointed out. "He is so deep in that hole and committed to that because that's the way he survives. I think slowly but surely he takes it all in, but I don't know that it affects the way he lives his life quite yet."

She describes a moment in an upcoming episode where House tries to decide on a vacation destination. "The very notion that that's even a topic for him is huge for House. So we're having a lot of fun with how much he'll change and how fast he'll change and how well he'll change, all of those contradictions."

"It's a wish fulfillment thing."

Jacobs, who conveys a very un-House-like warmth, has some theories about what people are responding to in the character -- the irreverence, the vicarious thrill of watching someone with no censor, and of course the combination of brilliant mind and wounded heart -- but she still seems slightly astonished and hugely grateful that the show has struck such a chord in the audience.

In season three, the already tremendously popular show has hit series-high ratings following the return of American Idol. With success comes freedom, but also responsibility. "We have an enormous amount of creative freedom right now because audiences seem to be following the show, so we have a lot of latitude in terms of what the studio and network supports," she commented.

"It is absolutely thrilling that here we are in our third season and we continue to grow and find a larger audience, and we take that as a huge responsibility. We're always trying to say, OK, now what can we do better."

Though Heel and Toe Films, the production company she heads with her husband, Oscar-nominated screenwriter and House executive producer Paul Attanasio, has signed a development deal with FOX, Jacobs insists she's "trying not to be too greedy but enjoy this rare moment."

"It is so rare in this business that you get to work on something that you can both be proud of and that is reaching so many people, and that you really enjoy working with your partners. I am trying very hard to be focused and be in the moment of this experience."

[Reiko-Fan]

Offiziele Episodenbeschreibung für 3x16 Top Secret

HE TEAM EXAMINES AN EX-MARINE SUFFERING FROM MYSTERIOUS SYMPTOMS SINCE RETURNING HOME FROM DUTY WHILE HOUSE DEALS WITH AN AILMENT OF HIS OWN ON HOUSE TUESDAY, MARCH 27 ON FOX.

House is bewildered yet intrigued when he meets his newest patient, John Kelley, an ex-Marine who had saved House's life in a very realistic dream the night before. House is puzzled about how this man could have appeared in his dream before he met him. Recently returned from a two-year deployment in Iraq, Kelley is complaining of fatigue, pain and other non-specific ailments he thinks are the result of Gulf War Syndrome. Just like the V.A. doctors before them, the team is wary about the validity of Kelley's symptoms, but since his uncle is an important benefactor to the hospital, they continue to investigate his case.

Meanwhile, House is suffering from ailments of his own: he is unable to urinate, most likely a side effect of his Vicodin abuse, and is sleep-deprived. Unable to concentrate on the case, he eventually turns to Wilson for an under-the-table prescription.

While administering tests in the sleep lab, Cameron and Chase forego their clinical duties when they find each other (and a bed in the sleep lab) much more exciting. A foul infection shows up in Kelley's mouth while Cameron and Chase were supposed to have been on the clock, and his condition only worsens as he begins to lose his hearing, sight and mobility.

A brain scan reveals tumors in Kelley's brain that were not there a week earlier when the government doctors at the V.A. examined him. When traces of uranium show up in Kelley's test results, the team wonders if the government had something to hide in the Top Secret episode of HOUSE airing Tuesday, March 27 (9:00-10:00 PM ET/PT) on FOX. (HOU-316) (TV-14 D, L)

Cast:
Hugh Laurie as Dr. Gregory House; Lisa Edelstein as Dr. Lisa Cuddy; Omar Epps as Dr. Eric Foreman; Robert Sean Leonard as Dr. James Wilson; Jennifer Morrison as Dr. Allison Cameron; Jesse Spencer as Dr. Robert Chase.

Guest Cast:
Marc Blucas as John Kelley; Annie Quinn as Gina; Hira Ambrosino as Anesthesiologist; Keisha Alfred as Technician; Bert Belasco as PFC Garcia; Marco Morales as Cpl. Foley; Bobbin Bergstrom as Nurse.

EDIT:

Cinema in Muskegon, Michigan: House me!
A lot of you wanted to know if the ducklings would ever need to "grow out" of House and strike out on their own. I took that Q to Katie Jacobs, and she said, "I don't think so. I think that they have been changing since the very beginning of the show, insofar as they now sometimes display very Houselike qualities in the risks that they'll take and in their thinking and the way that they try to figure out the answers to the puzzle. I think they would fare very well away from House, because I think they've learned a lot." So, don't worry—nobody's breaking up the band to do a solo project anytime soon!

Find ich ja persöhnlich gar nicht so toll Nicht, dass sie "die Band" zusammen lassen wollen, aber das es so aussieht, als wenn es nicht mal zur Sprache kommt ... und dann ist da ja noch Cam's Brief.

[Reiko-Fan]

:<> Die PromoPics für "Airborne" sind da

Pic 1
Pic 2
Pic 3
Pic 4

Ich will gar nicht wissen, ob das sein Hemd ist Wilson hat ihm dann bestimmt nicht beim Packen geholfen

[~FairyFlossLish~]

:<> Die PromoPics für "Airborne" sind da

Ich will gar nicht wissen, ob das sein Hemd ist Wilson hat ihm dann bestimmt nicht beim Packen geholfen

Nun das Hemd ist wirklich..aussergewöhnlich Dabei hat er sonst doch so nen guten Stil...House in so nem Hemd ist einfach

[soar]

mein Gott das Hemd ist ja: :<> :<> :<> *lool* bis jetzt war er immer soooooo gut angezogen... naja, dass hat er wohl nur angezogen um Cuddy zu ärgern

[chocolate22]

Aus der Pressmitteilung von FOX zu 3.17 Fetal Position...

WHEN A PREGNANT CELEBRITY PHOTOGRAPHERS UNBORN CHILD ENDANGERS HER HEALTH, THE TEAM MUST TAKE ACTION BEFORE IT IS TOO LATE TO SAVE EITHER OF THEM ON HOUSE TUESDAY, APRIL 3, ON FOX

Anne Ramsay and Tyson Ritter (All American Rejects) Guest-Star

A famous, 42-year-old, pregnant photographer, Emma Sloan (guest star Anne Ramsay), is brought to the hospital after suffering a stroke in the middle of a high-profile photo shoot with Tyson Ritter (All American Rejects). Although Emmas condition initially stabilizes, her health takes a turn for the worse when her kidneys inexplicably fail. As her health continues to deteriorate, Emma is more concerned about her babys well-being than her own. With no other viable explanation for the kidney failure, House realizes Emma may have a rare condition called Maternal Mirror Syndrome, in which the mothers health mimics the distress level of her fetus. Meanwhile, Cameron and Chases secret relationship is exposed to Foreman and Cuddy, and House makes extravagant plans to take a much-needed vacation. House calls Cuddy on the fact shes taken a special interest in the case as she identifies with Emmas struggle to have a child later in life, but her compassion for Emma may be clouding her judgment in the case. When Emmas liver begins to fail, House presents her with the heart-wrenching choice to terminate her fetus or die herself. But with Cuddy on her side, Emma demands they come up with another option an option that may not exist. With Cuddy and House at odds over how to handle her case, Emma faces a life-and-death situation for both herself and her unborn child in the Fetal Position episode of HOUSE airing Tuesday, April 3 (9:00-10:00 PM ET/PT) on FOX. (HOU-317) (TV-14 D, L)

Cast: Hugh Laurie as Dr. Gregory House; Lisa Edelstein as Dr. Lisa Cuddy; Omar Epps as Dr. Eric Foreman; Robert Sean Leonard as Dr. James Wilson; Jennifer Morrison as Dr. Allison Cameron; Jesse Spencer as Dr. Robert Chase.

Guest Cast: Anne Ramsay as Emma; Tyson Ritter as himself; Jeff Sugarman as Fetal Surgeon; Bobbin Bergstrom as Nurse

[Reiko-Fan]

Episode 3x20 House Training

February 28, 2007: "OLucy" posted on the Television Without Pity's House Forum information on Episode #20, the Patient of the Week (PoTW) and the Team (Ducklings):
Our PoTW is Lupe, and when we meet her she's part of a scam artist team performing three-card monte on a Trenton street. Her role is to be a plant in the crowd to help dupe people into placing money on a bet. But much to her partner's chagrin--she loses her concentration and can't keep track of the card. The dealer lets it slip that he knows her, the crowd disperses, and she collapses.
Foreman diagnoses her with abulia--the inability to make decisions or exercise will--and is part of a Transient Ischemic Attack. He questions her on drug use or possible exposure to toxins. She describes her last couple of menial jobs, none of which seem helpful.

In a later discussion between House and Ducklings, Foreman reveals Lupe was pregnant at 15, dropped out of high school, and her baby died of SIDS. While they're talking, House looks out the window toward the elevator and sees Wilson kissing a 30-something woman, Bonnie, on the cheek. Foreman is talking about the patient when House excuses himself and leaves the room.

In another scene, Foreman knocks on the door of a hotel room and the door is opened by Rodney, Foreman's dad. Foreman's mom is also there, and asks Foreman if he's happy. She's talking about a high school photo of his that she had reframed and brought with her. During some of their conversation, it seems that Rodney and Eric aren't sure if Alicia is having an Alzheimer's moment. She mentions that they only person they're missing is their brother. Eric and Rodney exchange glances and Rodney says quietly that he thinks the brother is "going to miss tonight."

Later, Lupe is on a drip being treated for arsenic poisoning. Cameron comes in to talk to her, and Lupe starts coughing, then spitting up blood.

More procedures performed on Lupe. During one led by Cameron and Chase, they have yet another convo where Chase lets Cameron know that if she changes her mind, he'll be available. She again clarifies how much she is not interested in dating him, having sex with him, or doing anything with him. She chastises Chase for continuing to bring it up when she considers it closed. Chase remains calm and reasonable.

Later, Bonnie appears to be a realtor showing a condo to House. He's questioning her about dates she'd been on with Wilson. House appears to feign interest in seeing the condo just so he can ask her questions about her past relationship with Wilson. She claims she was coming off a bad relationship and Wilson said they could go out as friends. She appears to be a little bitter that Wilson was actually sincere about that. She talks about getting sucked in emotionally because he's so "knight in shining armor." Until he's not. But then you're hooked. House posits that if she and Wilson had actually had sex before they "connected", she'd be over him. She affirms that sex with Wilson is fantastic. That no one works harder to give a woman what she wants.
Meanwhile, Lupe is still weak and still coughs occasionally. Foreman confronts Lupe over a crack pipe found where she lives. She claims it belonged to the guy who used to live with her. She claims she doesn't do drugs. She thinks Foreman doesn't like her. She accuses him of having too high an opinion of himself because he got out of the projects when others didn't. While he's examining her and talking, she has another "brain freeze."
She's later diagnosed with cancer and Foreman is going over the consent form for the radiation. She has another brain incident while thinking about signing the form. She crashes. She revives to sign the form and receives a radiation treatment. Foreman and Cam are examining her post-treatment. Foreman detects a heart murmur. Cam tightens the blood pressure cuff and Lupe screams in pain.

Bonnie shows up at House's office and complains that he's not returning any of her calls. She may have another condo to show him. He tells her he's off the market. She deduces that Wilson was right, House was never going to buy anything from her. It turns out that Bonnie is Wilson's ex-wife! House tells her that just because she and Wilson are divorced, Wilson won't stop giving her good advice. Bonnie lays into House about how much she's resented him since she married Wilson. She named their bad-tempered dog Hector because he peed on the carpet every morning and "Hector does go rug" is an anagram for Doctor Greg House. She resented how much House needed Wilson and Wilson would be there for him. She resented that House never cared that he infringed on Wilson's time with his wife. She doesn't blame House for breaking up their marriage, but says he didn't help it, either. House says "Hector does go rug" is a lame anagram and a better anagram for Gregory House is "Huge ego, sorry". He tells her to get out of sales because she talks too much about unimportant things and he's not going to buy a condo just to make her feel better. She leaves.
Foreman approaches Lupe to tell her she has an infection and she's dying. She has less than 24 hours. She doesn't have cancer and it turns out the radiation is the worst thing they could have done for her, because it destroyed her immune system.

Foreman and Lupe have a meaningful conversation about how they rightfully and wrongfully assessed each other and talk a little about their pasts. Foreman says that the last time he came home for Christmas in college, where the only book in the house was the Bible, he didn't think he could do this anymore. But when he said goodbye to him mom and she put her arms around him, that's the last time he ever felt at home.

Lupe says Foreman was right about her. Sometimes the system is tough, but it's also crap that the system always works against you. She knows she made some mistakes, but she always thought she was young and "had time."
Eventually Lupe loses consciousness and doesn't revive. We see only Foreman alone in the room with her.
House performs an illegal autopsy, just far enough to determine how Lupe died. Chase says that they were all wrong, even House.

Wilson talks with Lupe's grandparents. Wilson pats the grandma's hand empathetically, just as he had earlier taught Foreman to do. House says that the cause of death was a a simple staph infection and some bad decisions.
The ep ends with Foreman back at the hotel, and there's a birthday cake in a bakery box on the bed. Foreman tells his mom that he did hurt someone. She comforts him, tells him it wasn't his fault and hugs him. He pulls away, asks if she knows who he is and says it's Eric. She says of course, and hugs him again. She says her little boy's name is Eric. We leave them in their embrace.

quelle

Am besten gefallen mir die Stellen

She affirms that sex with Wilson is fantastic. That no one works harder to give a woman what she wants.

Ich kann mir House's Gesicht regelrecht vorstellen

a better anagram for Gregory House is "Huge ego, sorry".

So genial

[Klue]

seh ich das richtig das foreman jemanden tötet?